Posted by: Rajesh Shukla | October 12, 2012

Chinese communist Mo Yan wins Nobel prize for literature

Author Mo Yan has become the first Chinese citizen to win the Nobel Prize for literature and perhaps first Communist from a revolutionary state.  Before Mo Yan, in year 2000, the Chinese-born writer Gao Xingjian won the prize but he was a French citizen therefore Chinese people did not regard the win as national achievement.  If we read Mao Zedong’s  poems and his writings on idea of literature  we find no much difference in his realism and the idea of Mao’s  realism .  His  famous novel  Red Sorghum  represents Mao Zedong’s  ideology of nationalism and heroismMo yan’s thought is ideologically influenced by Mao Zedong and he has  been once criticized for hand-copying Mao Zedong’s Yan’an Talks on Literature and Art in commemoration of the 70th anniversary of the speech.

India is the only country where people celebrate those Nobel Prize winner Indians who had left the mother land and  its people in pain and suffering and accepted other country’s nationality in search of their individualistic happiness.  Such colonialists  who do not like their own people, language and culture are in fact clever dogs. Indians  are absolutely possessed by an inferiority complex and  slave consciousness; an instinctual opportunism has made them think that modern progressive  is associated with white color and English alone. Rabindra Nath Tagore being a nationalist translated his poem Geetanjali in English to win Nobel Prize; he couldn’t dare to resist his national and linguistic identity like Gandhi.While here is Mo Yan who has affirmatively represented his culture and language and won Nobel in  Chinese language.  It is a victory of Chinese culture and language in the age of English imperialism and  protestantism of western culture. Chinese Communist party leader and Prime Minister Zhu Rongji have applauded it in a press release “I am very pleased that a literary oeuvre written in Chinese  was  awarded the Nobel Prize. Chinese characters have a history of several thousand years and the Chinese language has an inexhaustible appeal.”  Other Chinese leader  Li Changchun celebrated Mo Yan’s win and emphasized “Chinese writers can contribute more to the prosperity and development of Chinese culture, as well as the progress of human civilization.” When will Indians get rid of colonial mindset and colonial tongue! Indian parasitism is killing India.

Chinese communist party and state media has celebrated Mo’s Nobel win and entire China is celebrating it now.  Of course it is a triumph of people of the Chinese republic and it proves now that creativity has a palace in  Communist state  even if Marx had an idea of end of philosophy. It is not just literature, in film and other art forms too Republic of China has unleashed its creative energy. Mo Yan has fulfilled the aspirations of  Chinese communist party, according to Nobel committee citations “Through a mixture of fantasy and reality, historical and social perspectives, Mo Yan has created a world reminiscent in its complexity of those in the writings of William Faulkner and Gabriel García Márquez, at the same time finding a departure point in old Chinese literature and in oral tradition”.  Novelist’s “hallucinatory realism” merges Chinese folk tales, history and the contemporary life in china and creates a new reality.

His important works include “Big Breasts and Wide Hips,” “Life and Death Are Wearing Me Out,” “Wa,” “Sandalwood Death,” “Red Sorghum”—and a range of essays and short stories. On his novel “Red Sorghum”  a popular film of the same name was made which became a hit in western world. His other famous book “The republic of Wine” explores Chinese culture, food and drink;  it is a satire on Chinese drink and food hobby which sometime becomes absurd. “Sandalwood Death” is one of his great novel that tells us how deeply he is rooted in his history, culture and mythology. Mo Yan is a village boy with a Chinese sensibility with mythic meta narrative;  he is no doubt a people’s writer who has won the Nobel in literature.

Begin with Marx , continue with Lenin and end with Adavaita <अथातो>

Fuck Indian Bourgeois that has made us parasite and  slave. Fuck the perversion of Indian bourgeoisie that has brought us social desiring of anality. An absolute fuck is needed from the creative bastards.


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